Pen in the Date!…Please join me at the opening of my solo exhibition 'Come Shower with Me' at the SHAC (Southern Highlands Artisans Collective) in Robertson in the wonderful community of the Southern Highlands - which we all know has recently been through a terrible period of the recent bushfires. It's a great opportunity to visit the area, and support the local businesses doing it tough (from buying a coffee to booking a place to stay for the weekend) like at the Robertson Hotel who are proud sponsors of The SHAC. Alternatively join me at Robertson Pub for a drink and an early dinner after the show.
Exhibition to be officially opened by award-winning Sydney Artist Halinka Orszulok Saturday 22nd February 2020 at 2pm at The SHAC (NEXT TO THE BIG POTATO) Exhibition continues and closes Monday March 6th 2020 at 4pm
PLEASE NOTE: the Official opening with drinks and opening address by award winning artist Halinka Orszulok will be Sat 22nd Feb 2020, However the exhibition will be open to the public from Friday 21st Feb 2020 if you happen to be already in the area.
The event is free but please RSVP here to give us an idea with numbers.
Drinks and nibbles provided.
If you can't make the opening you are welcome to drop in Gallery hours are Friday-Monday 10am-4pm
All works for sale. Works will also be available for purchase in an online catalogue coming soon.
enquiries@theshac.com.au
Enquiries: Patsy Peacock (President)
patsy@theshac.com.au
0614 0299 8644
ABOUT THE EXHIBITION
‘Come shower with me’ invites viewers into the intimate world of Sydney based artist Louisa Chircop. As the title of her exhibition suggests, Chircop not only utilises the idea of the history of women’s activity in the bathroom but also uses the concept of showering to parallel her creative process in an ode to free association and surrealism, similarly the way ideas come to mind in the shower.
Through Chircop’s experience and interest in art history and psychological phenomenons, she explores the human condition creating images that are illicit in nature, rendered with complex meaning and hints of the shadow self. Chance encounters are played out repositioning women in art history whilst simultaneously positioning herself in relation to history, creating a metaphorical allegory about our present time.
Chircop is comfortable as chameleon, every image is a reconstruct of thought drawn from a stream of subconscious detritus into the reservoir of her conscious awakening. She creates with the inquisitive mind of an octopus foraging through its shady garden on the ocean floor. Every work, a token re-cleansing of the body, mind and spirit is an attempt to navigate existential pathways through the world resurrecting the female image from the grave of western art.
