FINALIST - OPEN SECTION - FISHER'S GHOST ART AWARD 2018 CAC

One of the highlights of my art calendar year and I’m stoked to be a finalist amongst such a fine bunch of artists across all categories in this year’s Fisher’s Ghost Art Prize with my painting titled ‘#Sorrow’. Looking forward to a fantastic opening night at Campbelltown Arts Centre, they certainly know how to really turn up the party!

Official Opening Night and Award Announcement  Friday 2 November

Exhibition open to the public  Saturday 3 November – Thursday 13 December

All works will be available for purchase



‘#Sorrow’, oil on canvas, 220cm x 214cm

‘#Sorrow’, oil on canvas, 220cm x 214cm

Sneak peek Installation at Campbelltown Arts Centre

Sneak peek Installation at Campbelltown Arts Centre

2017 WINNER OF THE FISHER'S GHOST JAMES GLEESON AWARD FOR SURREALISM

It's not every day you get to win the same prize twice. Still shell shocked, I'm pleased to announce that I'm the '2017 Winner of the James Gleeson Award for Surrealism' at Campbelltown Arts Centre. The judging panel included esteemed art professionals, Daniel Mudie-Cunningham (Senior Curator of Art Bank, artist and writer), Ben Quilty (artist and AGNSW board of Trustee Member) and Tess Allas (artist, curator and writer). I would like to thank Campbelltown Arts Centre for putting on an amazing evening and to the judges for finding my work worthy and honouring me the award. I would also like to thank the sponsors of the award Michael and Marilyn Reardon-Small for purchasing my work for their collection which will become part of Campbelltown Arts Centre's collection in future years to come. For all other category winners please visit Campbelltown Arts Centre website http://c-a-c.com.au/fishers-ghost-art-award-2017/

Notice board announcement - 'I Fucked with Matta and Van Gogh' Oil on canvas, 167cm x 167cm (purchased by the Sponsors Michael and Marilyn Reardon-Small for their Collection)

Notice board announcement - 'I Fucked with Matta and Van Gogh' Oil on canvas, 167cm x 167cm (purchased by the Sponsors Michael and Marilyn Reardon-Small for their Collection)

DOUBLE FINALIST - FISHER'S GHOST ART AWARD CAC 2017

Doubly pleased to be a finalist in two categories at Fisher's Ghost Art Award at Campbelltown Arts Centre this year. My Painting 'Existential Void' is a finalist in the Open section whilst my painting 'I fucked with Matta and Van Gogh' is a finalist in the Contemporary section. Looking very forward to the opening on the 3rd November as this one always draws a big crowd!

'Existential Void', Oil on Canvas, 250cm x 166.5cm

'Existential Void', Oil on Canvas, 250cm x 166.5cm

29 October -15 Dec 2016

Very excited to be a finalist in the Open section in Fisher's Ghost Art Prize at Campbelltown Arts Centre.

Exhibition: 29 October – 15 December.

Opening Night and Award Announcement: 4 November

ATTENDING THE OPENING NIGHT AND AWARD ANNOUNCEMENT

The Opening Night and Award Announcement will be held on Friday 4 November, from 6pm. This is a ticketed event. Children under 16 year a free, when accompanied by a paying adult. Please see Campbelltown Arts Centre website for details.

The Golden Thread, Oil on Canvas, 213cm x 167cmThe Fisher’s Ghost Art Award has been running for over 50 years and awards $30,000 in prize money. The Fishers Ghost Art Award coincides with Campbelltown Annual Festival of Fishers Ghost, held over 10 …

The Golden Thread, Oil on Canvas, 213cm x 167cm

The Fisher’s Ghost Art Award has been running for over 50 years and awards $30,000 in prize money. The Fishers Ghost Art Award coincides with Campbelltown Annual Festival of Fishers Ghost, held over 10 days the Festival dates back to 1956 and celebrates Australia’s most famous ghost – Frederick Fisher.

The winning entry in the Award’s Open section is acquisitive to the C-A-C permanent collection and is awarded $20,000. In the past it has been awarded to some of Australia’s most respected Contemporary artists including Elisabeth Cummings, Khaled Sabsabi, Justene Williams, David Bromley, Marion Borgelt, Raquel Ormella and Philip Wolfhagen.