NATIONAL FINALIST - PADDINGTON ART PRIZE - 2024

Couldn’t be more thrilled to be one of 42 selected finalists from a record response to the call for entries from across Australia in the 2024 Paddington Art Prize with my work ‘Alienated Tarago Landscape’.

The Paddington Art Prize principally sponsored by Chris Antico, Founded and Co-Sponsored by Marlene Antico AOM now in its 21st year, has become Australia’s preeminent landscape prize of unmatched calibre. This is largely due to Marlene's deliberate selection of independent judges, each with decades of experience and a significant contribution to the Australian arts.

Each year the prize aims to discover new talents and invigorate the art market with iconic styles that reflect Australia’s topography and “cultural ethos.” A family-run initiative, the connectedness extends to finalists and winners who become life-long members with subsequent career highlights celebrated and shared online.

The $30,000 Paddington Art Prize Exhibition of National Finalists for a painting inspired by the Australian Landscape will officially be opened on Thursday October 10th at 6-8pm, Art Leven Gallery, 17 Thurlow St, Redfern NSW at 6-8pm. With exhibition continuing until the October 20th 2024 11am-5pm with all works for sale both online and at the exhibition.

I would like to thank the very esteemed judging panel Jackie Dunn Senior Curator of Exhibitions at AGNSW, Australian art historian, art critic and curator Emeritus Professor ANU Sasha Grishin AM, FAHA and prominent Australian artist Ian Grant for selecting my work amidst this very fine list of National Finalists.

The Online Exhibition of National Finalists is currently viewable on our website

✳ For all Admin  &  Sales Enquiries Contact   info@paddingtonartprize.com.au  

‘Alienated Tarago Landscape’, 167cm x 127cm, Hand painted archival pigment print, mixed media and photomontage on cotton rag.

FINALIST - PADDINGTON ART PRIZE 2021

What an honour to be selected as a finalist amongst such an amazing line up of Australian artists with my work ‘Bush Embrace - Pulpit Rock Bundanon’ in this year’s Paddington Art Prize. The exhibition of national finalists will be exhibited at Defiance Gallery Paddington Sydney and the winners will be announced on Thursday 14 October 2021 with the exhibition open from the 15th October until to Sunday 24 October 2021 .

Congratulations to all the finalists! and a huge thank you to the highIy esteemed panel of judges Katherine Roberts Senior Curator at Manly Art Gallery & Museum, Tim Allen Visual Artist and Winner of the 2017 Paddington Art Prize and Steven Alderton Director and CEO of the National Art School for selecting my work. I cannot wait to see their selection.

See selected finalists here

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. Established in 2004 by Arts Patron, Marlene Antico OAM, this National prize takes its place among the country’s most lucrative and highly coveted painting prizes.

 The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.

Marlene Antico OAM, created the Prize in order to assist with the monetary difficulties that often impede artists from showcasing their works. As an art student, gallery owner and volunteer guide at the AGNSW for over 10 years, she has underscored her commitment to supporting contemporary Australian artists, aware, of the financial concerns that prevent many artists from devoting themselves entirely to their art practice.

 In 2017, Chris Antico, Marlene’s son joined as Principal Co-sponsor of the prize. The Paddington Art Prize appreciates the ongoing generosity of the following key sponsors and supporters: Marlene Antico OAM, Chris Antico, UNSW Art & Design, The Sydney Art Store, Sofala Cottage, Charvin Oils, Lucio’s Italian Restaurant, Defiance Gallery,  Nock Art Foundation, Tracey Deep Floral Sculptures, Valiant Hire and Woollahra Municipal Council.



‘Bush Embrace - Pulpit Rock Bundanon’, Mixed media and photomontage on watercolour paper, 150cm x 100cmBush Embrace is about the Australian landscape during the pandemic. The solitude and the longing for company and simple contact. Like giving a hug (something we’ve all missed). This interplay of mixed media with a subconscious painting approach exposes life and landscape at its most bittersweet.

‘Bush Embrace - Pulpit Rock Bundanon’, Mixed media and photomontage on watercolour paper, 150cm x 100cm

Bush Embrace is about the Australian landscape during the pandemic. The solitude and the longing for company and simple contact. Like giving a hug (something we’ve all missed). This interplay of mixed media with a subconscious painting approach exposes life and landscape at its most bittersweet.

FINALIST - MILBURN ART PRIZE 2021 - BRISBANE INSTITUTE OF ART

I’m very excited to be selected as a finalist in this year’s Milburn Art Prize at the Brisbane Institute of Art with my work ‘Sounds at Pulpit Rock Bundanon’. Good luck to all the finalists selected in this year’s prize.

The 2021 Milburn Art Prize for Landscape reflects the evolving nature and aims of BIA to honour Paul Milburn, a much loved and respected tutor who began teaching in 1989 at BIA until his death in 2011. With this in mind we offer a prize of $10,000 awarded for a 2d artwork addressing the spirit of Paul Milburn’s legacy and John Peart’s musings on landscape as quoted below. Accepted media includes painting, drawing, printmaking, mixed media and photography.

I see pictorial space as an inner landscape for the mind’s eye to roam; so it is not surprising if my paintings evoke the feeling of landscape. (I) know it is a mental projection but it is inherently delightful. While painting, I am issuing an open invitation for these illusions - or allusions – to enter. My conscious mind can be occupied with the making, and the unconscious can come up with its own surprises. John Peart

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‘Sounds at Pulpit Rock Bundanon’,  103cm x 66cm, mixed media on water colour paper

‘Sounds at Pulpit Rock Bundanon’, 103cm x 66cm, mixed media on water colour paper

FINALIST - 2020 PADDINGTON ART PRIZE

What an honour to be selected as a finalist in this year’s Paddington Art Prize with my work ‘In Love and War -Archibald Fountain Hyde Park’ amongst such an amazing line up of Australian artists. The exhibition of national finalists will be exhibited at Defiance Gallery Paddington Sydney and the winners will be announced on Thursday 29th October 2020. Congratulations to all the finalists! and a huge thank you to the highIy esteemed panel of judges Ross Laurie, Rhonda Davis and Jeanette Siebols for selecting my work. I cannot wait to see their selection.

See selected finalists here

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The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. Established in 2004 by Arts Patron, Marlene Antico OAM, this National prize takes its place among the country’s most lucrative and highly coveted painting prizes.

 The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.

Marlene Antico OAM, created the Prize in order to assist with the monetary difficulties that often impede artists from showcasing their works. As an art student, gallery owner and volunteer guide at the AGNSW for over 10 years, she has underscored her commitment to supporting contemporary Australian artists, aware, of the financial concerns that prevent many artists from devoting themselves entirely to their art practice.

In 2017, Chris Antico, Marlene’s son joined as Principal Co-sponsor of the prize. The Paddington Art Prize appreciates the ongoing generosity of the following key sponsors and supporters: Marlene Antico OAM, Chris Antico, UNSW Art & Design, The Sydney Art Store, Sofala Cottage, Charvin Oils, Lucio’s Italian Restaurant, Defiance Gallery,  Nock Art Foundation, Tracey Deep Floral Sculptures, Valiant Hire and Woollahra Municipal Council.

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$30,000 Annual National Acquisitive Prize for a painting inspired by
the Australian Landscape

Sponsored by Marlene Antico OAM.

We also have five non-acquisitive prizes listed below:

HONOURABLE MENTION PRIZE

a $3,000 prize  sponsored by Chris Antico (Co-Principal Sponsor)

HIGHLY COMMENDED PRIZE

$1,000 prize

DEFIANCE GALLERY AWARD

 Two artists selected from the 2020 submissions will be chosen by Directors Campbell Robertson-Swann &  Lauren Harvey, and offered an exhibition with Defiance Gallery at Mary Place, Sydney in 2021.

NOCK ART FOUNDATION PRIZE

 Michael Nock will offer the TWO above mentioned selected artists a 3 week Residency at “Giverny”, Queenstown, New Zealand. With artist studios and airfares included.

UNSW ART & DESIGN PRIZE

will offer a chosen artist the opportunity to create a limited edition print

with Master Printer, Michael Kempson.

PEOPLE’S CHOICE AWARD

$1,000 gift certificate from Theresa Sarjeant of Fine Art Imaging

‘In Love and War - Archibald Fountain Hyde Park’ 2020, Mixed media and photomontage on Saunders Waterford Paper, 150cm x 100cmParks are landscapes. They often feature structures that tell narratives about the built history of our landscape. With the…

‘In Love and War - Archibald Fountain Hyde Park’ 2020, Mixed media and photomontage on Saunders Waterford Paper, 150cm x 100cm

Parks are landscapes. They often feature structures that tell narratives about the built history of our landscape. With the looming 100 year anniversary of the Archibald Prize I painted the famous Archibald Fountain in the iconic Hyde Park. It’s location, a junction point called ‘Birubi Circle’.

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SEMI FINALIST - 2019 DOUG MORAN NATIONAL PORTRAIT PRIZE

I’m over the moon and so grateful to make it to the semi finalists for the Doug Moran National Portrait Prize 2019. What an honour to be selected amongst this fine bunch of Australian talent. The judges of the 2019 Doug Moran National Portrait Prize are artist and 2013 DMNPP winner Nigel Milsom, Director of the Ian Potter Museum of Art at the University of Melbourne, Kelly Gellatly, and Peter Moran, Managing Director of the Moran Health Care Group.  Peter’s parents Greta and Doug Moran established the Moran Arts Foundation in 1988. (See Judges comments below).

Judge Nigel Misom: “If portraiture is one of the means used to communicate our individuality, connection to each other, and the world around us, look no further than the 2019 Doug Moran National Portrait Prize Semi-Finalists. The variety and scope of the selected portraits are vast, yet they all seem to share a commonality, that is, the painter and subject have united to share in the ‘magic’ of creativity.”

Judge Kelly Gellatly: “While the sheer volume of entries to this year’s Doug Moran Portrait Prize was initially overwhelming, it was a privilege to experience such a breadth of contemporary portraiture and to be able to get a glimpse into how some of Australia’s most talented artists are currently exploring, and pushing, the genre.  For the judges, the shortlisted artists collectively demonstrate the way in which portraiture can and should be much more than the sheer skill of capturing of a likeness. The power of portraiture instead manifests from the almost intangible coming together of artist and subject; a tension or ‘rub’ that encourages the viewer to remain with a work and to return to it time and again, well beyond the initial moment of recognising the subject.”

The Doug Moran National Portrait Prize…

Founded by Doug & Greta Moran and family in 1988, the Doug Moran National Portrait Prize (DMNPP) is an annual Australian portrait painting prize supporting Australian artists.  The prize has encouraged both excellence and creativity in contemporary Australian portraiture by asking artists to interpret the look and personality of a chosen sitter, either unknown or well known.  With a first prize of one hundred and fifty thousand dollars ($150,000) it is Australia’s richest art prize.

Finalists announced - 16 Oct

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RECIPIENT - Georges River Council Artist-in-Residence 2020

It’s still some time away but I’m very pleased to have been recently awarded this fabulous artist residency with Hurstville Museum and Gallery for Carrs Park Cottage to create work for my next upcoming project in 2020. Thank you so much to Hurstville Museum and Gallery and Georges River Council for this fantastic opportunity. See more

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FINALIST - INAUGURAL BAM NATIONAL ART PRIZE 2018

It’s wonderful to be selected as a finalist for the BAM (Byron Arts Magazine) NATIONAL ART PRIZE. Congratulations and best wishes to all the finalists selected.

Offering both $5000 prize money and a unique visibility opportunity, the new BAM Art Prize offers a significant opportunity. The winner will be featured on the cover of BAM. First Prize and Highly Commended Award winners will be featured in the summer 2018 issue of BAM. Open to all artists nationwide, this new, non-acquisitive prize is for works of art in any medium.The inaugural prize will be presented on November 9, 2018. A finalists exhibition will be held at Byron Bay's Thomgallery in November. Byron Bay’s leading art gallery, Thomgallery features contemporary art and sculptures from renowned local and international artists and sculptors. All Finalists will be featured digitally.

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ARTIST PROFILE AUSTRALASIAN PAINTERS 2007 - 2017

It's one month away and I'm really thrilled to be heading off to Orange Regional Art Gallery in July to be apart of Artist Profile's 10th Anniversary landmark exhibition 'Australasian Painters 2007-2017' curated by Kon Gouriotis and Lucy Stranger. It's such an honour to be invited and it's going to be a fantastic opening! for full list of artists and opening night details click here

29 October -15 Dec 2016

Very excited to be a finalist in the Open section in Fisher's Ghost Art Prize at Campbelltown Arts Centre.

Exhibition: 29 October – 15 December.

Opening Night and Award Announcement: 4 November

ATTENDING THE OPENING NIGHT AND AWARD ANNOUNCEMENT

The Opening Night and Award Announcement will be held on Friday 4 November, from 6pm. This is a ticketed event. Children under 16 year a free, when accompanied by a paying adult. Please see Campbelltown Arts Centre website for details.

The Golden Thread, Oil on Canvas, 213cm x 167cmThe Fisher’s Ghost Art Award has been running for over 50 years and awards $30,000 in prize money. The Fishers Ghost Art Award coincides with Campbelltown Annual Festival of Fishers Ghost, held over 10 …

The Golden Thread, Oil on Canvas, 213cm x 167cm

The Fisher’s Ghost Art Award has been running for over 50 years and awards $30,000 in prize money. The Fishers Ghost Art Award coincides with Campbelltown Annual Festival of Fishers Ghost, held over 10 days the Festival dates back to 1956 and celebrates Australia’s most famous ghost – Frederick Fisher.

The winning entry in the Award’s Open section is acquisitive to the C-A-C permanent collection and is awarded $20,000. In the past it has been awarded to some of Australia’s most respected Contemporary artists including Elisabeth Cummings, Khaled Sabsabi, Justene Williams, David Bromley, Marion Borgelt, Raquel Ormella and Philip Wolfhagen.