WINNER 'HIGHLY COMMENDED' - PADDINGTON ART PRIZE 2021

So proud to have have won ‘Highly Commended’ in this year’s Paddington Art Prize for my work ‘Bush Embrace - Pulpit Rock Bundanon’ selected by artist/curator Julia Martin.

Big Congratulations to all the finalists and other winners, especially winner of the Paddington Art prize Sophie Cape. Thank you to the judges artist and winner of the 2017 Paddington Art Prize Tim Allen, Director and CEO of the National Art School Steve Alderton and Senior Curator at Manly Art Gallery & Museum Katherine Roberts.

Special heartfelt thanks to Marlene Antico Founder and Principal Sponsor of the Paddington Art Prize, Chris Antico, Pia Antico, Defiance Gallery other affiliated sponsors and the lovely Andrew Treloar for their generosity, kindness and support during the exhibition and award presentation. Their continual support for the arts and artists is undoubtedly treasured and valued.

The exhibition of National finalists will continue at Defiance Gallery from Friday 15 October to Sunday 24 October 2021 (11am – 5pm). See winners and finalists here

(Left to right artists) Overall Winner Sophie Cape, Louisa Chircop and Pamela Honeyfield.

Chris Antico Principal Co-Sponsor and Louisa Chircop Winner of ‘Highly Commended’ Paddington Art Prize sponsored by artist/curator Julia Martin.

FINALIST - MILBURN ART PRIZE 2021 - BRISBANE INSTITUTE OF ART

I’m very excited to be selected as a finalist in this year’s Milburn Art Prize at the Brisbane Institute of Art with my work ‘Sounds at Pulpit Rock Bundanon’. Good luck to all the finalists selected in this year’s prize.

The 2021 Milburn Art Prize for Landscape reflects the evolving nature and aims of BIA to honour Paul Milburn, a much loved and respected tutor who began teaching in 1989 at BIA until his death in 2011. With this in mind we offer a prize of $10,000 awarded for a 2d artwork addressing the spirit of Paul Milburn’s legacy and John Peart’s musings on landscape as quoted below. Accepted media includes painting, drawing, printmaking, mixed media and photography.

I see pictorial space as an inner landscape for the mind’s eye to roam; so it is not surprising if my paintings evoke the feeling of landscape. (I) know it is a mental projection but it is inherently delightful. While painting, I am issuing an open invitation for these illusions - or allusions – to enter. My conscious mind can be occupied with the making, and the unconscious can come up with its own surprises. John Peart

‘Sounds at Pulpit Rock Bundanon’, 103cm x 66cm, mixed media on water colour paper