FINALIST - ADELAIDE PERRY PRIZE FOR DRAWING 2022 - ADELAIDE PERRY GALLERY PLC SYDNEY

It’s so lovely to start the year off with some great news!

I’m feeling very humbled and delighted to be selected as a finalist in the ‘Adelaide Perry Prize for Drawing 2022’ by judge Dr Andrew Frost, art critic, lecturer and broadcaster. The shortlist of finalists represents some of Australia’s most esteemed talent and I’m so proud to be represented amongst so many incredible artistic peers.

The Adelaide Perry Gallery received over 400 entries for the 17th Adelaide Perry Prize for Drawing. The annual $25,000 acquisitive prize, generously supported by PLC Sydney Parents and Friends’ Association, drew entries from across Australia and the College was delighted to have the participation and expertise of Dr Andrew Frost who created a shortlist of 46 finalists (see below) for the award. Dr Frost returns to the Gallery in February to select the overall winner.

The Adelaide Perry Prize for Drawing Exhibition of Finalists 2022 is open to the public, by appointment only from 26 February – 25 March. 
Gallery hours 8.30 am – 4.00 pm weekdays and 11.00 am – 4.00 pm Saturdays. 

To make a booking please email adelaideperrygallery@plc.nsw.edu.au

Congratulations to this year’s finalists in the Adelaide Perry Prize for Drawing 2022!

THE 2022 SHORTLISTED ARTISTS ARE:

WINNER 'HIGHLY COMMENDED' - PADDINGTON ART PRIZE 2021

So proud to have have won ‘Highly Commended’ in this year’s Paddington Art Prize for my work ‘Bush Embrace - Pulpit Rock Bundanon’ selected by artist/curator Julia Martin.

Big Congratulations to all the finalists and other winners, especially winner of the Paddington Art prize Sophie Cape. Thank you to the judges artist and winner of the 2017 Paddington Art Prize Tim Allen, Director and CEO of the National Art School Steve Alderton and Senior Curator at Manly Art Gallery & Museum Katherine Roberts.

Special heartfelt thanks to Marlene Antico Founder and Principal Sponsor of the Paddington Art Prize, Chris Antico, Pia Antico, Defiance Gallery other affiliated sponsors and the lovely Andrew Treloar for their generosity, kindness and support during the exhibition and award presentation. Their continual support for the arts and artists is undoubtedly treasured and valued.

The exhibition of National finalists will continue at Defiance Gallery from Friday 15 October to Sunday 24 October 2021 (11am – 5pm). See winners and finalists here

(Left to right artists) Overall Winner Sophie Cape, Louisa Chircop and Pamela Honeyfield.

(Left to right artists) Overall Winner Sophie Cape, Louisa Chircop and Pamela Honeyfield.

Chris Antico Principal Co-Sponsor and Louisa Chircop Winner of ‘Highly Commended’ Paddington Art Prize sponsored by artist/curator Julia Martin.

Chris Antico Principal Co-Sponsor and Louisa Chircop Winner of ‘Highly Commended’ Paddington Art Prize sponsored by artist/curator Julia Martin.

FINALIST - PADDINGTON ART PRIZE 2021

What an honour to be selected as a finalist amongst such an amazing line up of Australian artists with my work ‘Bush Embrace - Pulpit Rock Bundanon’ in this year’s Paddington Art Prize. The exhibition of national finalists will be exhibited at Defiance Gallery Paddington Sydney and the winners will be announced on Thursday 14 October 2021 with the exhibition open from the 15th October until to Sunday 24 October 2021 .

Congratulations to all the finalists! and a huge thank you to the highIy esteemed panel of judges Katherine Roberts Senior Curator at Manly Art Gallery & Museum, Tim Allen Visual Artist and Winner of the 2017 Paddington Art Prize and Steven Alderton Director and CEO of the National Art School for selecting my work. I cannot wait to see their selection.

See selected finalists here

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. Established in 2004 by Arts Patron, Marlene Antico OAM, this National prize takes its place among the country’s most lucrative and highly coveted painting prizes.

 The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.

Marlene Antico OAM, created the Prize in order to assist with the monetary difficulties that often impede artists from showcasing their works. As an art student, gallery owner and volunteer guide at the AGNSW for over 10 years, she has underscored her commitment to supporting contemporary Australian artists, aware, of the financial concerns that prevent many artists from devoting themselves entirely to their art practice.

 In 2017, Chris Antico, Marlene’s son joined as Principal Co-sponsor of the prize. The Paddington Art Prize appreciates the ongoing generosity of the following key sponsors and supporters: Marlene Antico OAM, Chris Antico, UNSW Art & Design, The Sydney Art Store, Sofala Cottage, Charvin Oils, Lucio’s Italian Restaurant, Defiance Gallery,  Nock Art Foundation, Tracey Deep Floral Sculptures, Valiant Hire and Woollahra Municipal Council.



‘Bush Embrace - Pulpit Rock Bundanon’, Mixed media and photomontage on watercolour paper, 150cm x 100cmBush Embrace is about the Australian landscape during the pandemic. The solitude and the longing for company and simple contact. Like giving a hug (something we’ve all missed). This interplay of mixed media with a subconscious painting approach exposes life and landscape at its most bittersweet.

‘Bush Embrace - Pulpit Rock Bundanon’, Mixed media and photomontage on watercolour paper, 150cm x 100cm

Bush Embrace is about the Australian landscape during the pandemic. The solitude and the longing for company and simple contact. Like giving a hug (something we’ve all missed). This interplay of mixed media with a subconscious painting approach exposes life and landscape at its most bittersweet.

'TALKING WITH PAINTERS' - FILIPPA BUTTITTA WITH LOUISA CHIRCOP -PODCAST EPISODE 109 BY MARIA STOLJAR

Listen in here to the latest Episode of ‘Talking with Painters’ with Maria Stoljar, where she interviews my stoic and incredible friend and fellow Australian artist Filippa Buttitta who I’ve painted for this year’s Archibald Prize. I will assure you that after listening to the podcast about Filippa’s own journey painting her Archibald subject brain surgeon, Professor Dr Charlie Teo, Filippa will leave you feeling nothing but touched and inspired.

SEMI FINALIST - 2019 DOUG MORAN NATIONAL PORTRAIT PRIZE

I’m over the moon and so grateful to make it to the semi finalists for the Doug Moran National Portrait Prize 2019. What an honour to be selected amongst this fine bunch of Australian talent. The judges of the 2019 Doug Moran National Portrait Prize are artist and 2013 DMNPP winner Nigel Milsom, Director of the Ian Potter Museum of Art at the University of Melbourne, Kelly Gellatly, and Peter Moran, Managing Director of the Moran Health Care Group.  Peter’s parents Greta and Doug Moran established the Moran Arts Foundation in 1988. (See Judges comments below).

Judge Nigel Misom: “If portraiture is one of the means used to communicate our individuality, connection to each other, and the world around us, look no further than the 2019 Doug Moran National Portrait Prize Semi-Finalists. The variety and scope of the selected portraits are vast, yet they all seem to share a commonality, that is, the painter and subject have united to share in the ‘magic’ of creativity.”

Judge Kelly Gellatly: “While the sheer volume of entries to this year’s Doug Moran Portrait Prize was initially overwhelming, it was a privilege to experience such a breadth of contemporary portraiture and to be able to get a glimpse into how some of Australia’s most talented artists are currently exploring, and pushing, the genre.  For the judges, the shortlisted artists collectively demonstrate the way in which portraiture can and should be much more than the sheer skill of capturing of a likeness. The power of portraiture instead manifests from the almost intangible coming together of artist and subject; a tension or ‘rub’ that encourages the viewer to remain with a work and to return to it time and again, well beyond the initial moment of recognising the subject.”

The Doug Moran National Portrait Prize…

Founded by Doug & Greta Moran and family in 1988, the Doug Moran National Portrait Prize (DMNPP) is an annual Australian portrait painting prize supporting Australian artists.  The prize has encouraged both excellence and creativity in contemporary Australian portraiture by asking artists to interpret the look and personality of a chosen sitter, either unknown or well known.  With a first prize of one hundred and fifty thousand dollars ($150,000) it is Australia’s richest art prize.

Finalists announced - 16 Oct

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FINALIST - HAZELHURST ART ON PAPER AWARD 2019

Since 2001 The Hazelhurst Art on Paper Award has been a significant national biennial exhibition that aims to elevate the status of works on paper while supporting and promoting artists working with this medium. So thrilled to be a finalist this year with my work ‘Fright and Delight-Bundanon’, a work that was inspired when I was artist-in-residence at Bundanon Trust last year. Congratulations and best wishes to all artists who are finalists. This will be an amazing exhibition.

Exhibition launch and announcement of award recipients will be held on Friday 20th Sept 6pm at Hazelhurst Gallery.

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COMING UP - INTERNATIONAL EXHIBITION 'CONNEXIONS SILENCIEUSES' EYGALIÈRES, FRANCE

I’m very excited to be heading back to Eygalières in Provence France this month. After having finished a residency that I won with NG Art Creative Residency Program last November championed by the wonderful Nicky Ginsberg. I’m finally making the pilgrimage back to where it all started for the opening and vernissage of ‘Connexions Silencieuses’ an International Group Exhibition of artists from around the globe. I’m very proud to be showing amongst an amazing cohort of International talent including other wonderful fellow Australian artists and will be giving an artist talk as part of their public programs on the 5th of May 4-5pm at the 800 year old Elise Saint Laurent where the exhibition will be staged. If you are in France or heading to Provence you are very welcome to attend the opening and talks. Bisous!

Credit: Matthew Robertson

Credit: Matthew Robertson

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RECIPIENT - Georges River Council Artist-in-Residence 2020

It’s still some time away but I’m very pleased to have been recently awarded this fabulous artist residency with Hurstville Museum and Gallery for Carrs Park Cottage to create work for my next upcoming project in 2020. Thank you so much to Hurstville Museum and Gallery and Georges River Council for this fantastic opportunity. See more

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FINALIST - INAUGURAL BAM NATIONAL ART PRIZE 2018

It’s wonderful to be selected as a finalist for the BAM (Byron Arts Magazine) NATIONAL ART PRIZE. Congratulations and best wishes to all the finalists selected.

Offering both $5000 prize money and a unique visibility opportunity, the new BAM Art Prize offers a significant opportunity. The winner will be featured on the cover of BAM. First Prize and Highly Commended Award winners will be featured in the summer 2018 issue of BAM. Open to all artists nationwide, this new, non-acquisitive prize is for works of art in any medium.The inaugural prize will be presented on November 9, 2018. A finalists exhibition will be held at Byron Bay's Thomgallery in November. Byron Bay’s leading art gallery, Thomgallery features contemporary art and sculptures from renowned local and international artists and sculptors. All Finalists will be featured digitally.

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ARCHIBALD SITTING 2018 - JUZ KITSON

It's that time of year again where I like to challenge myself by taking on a portrait. A portrait for me is more than a mere representation of the sitter's appearance, expression or simple gestures of their biography. A portrait articulates the psyche between the sitter and the artist, presenting an opportunity to reveal the inner workings of the subject's mind through the artist's own intimate thoughts on life and doubt through an exploration of their existential being. Heartfelt thanks goes to Juz Kitson one of Australia's best contemporary artists for allowing me delve into her as a subject and for sitting for me for this painting titled 'Juz Kitson Imitating Venus'. I've been so privileged to be able to paint her.

'Juz Kitson Imitating Venus' oil on canvas, 220cm x 167cm, 2018

'Juz Kitson Imitating Venus' oil on canvas, 220cm x 167cm, 2018